Official Poster Release of the Documentary Film The Rule of Evolution
Directed by: Vahid Emkani & Mehdi Bazyar
Produced by: Molood Azimpour
Featuring a constellation of artists: Alireza Adambakan, Saeid Emkani, Eisa Jabari, Alireza Chelipa, Vahid Chamani, Hamed Sadrarhami, Ali Golbaz
Poster Design: Javad Atashbari
Editing & Sound Design: Vahid Kordlou
Alongside the exhibition of paintings by the featured artists
Sunday, Shahrivar 25, 1403 (September 15, 2024)
Art Exhibition: 4:00 PM
Film Screening: 6:00 PM
Iranian Artists Forum, Tehran
Instagram handles:
@vahidemkani.photography @mehdibazyar.director @moloodazimpourpainter @vahidkordlou @alireza.adambakan1976 @saeidemkani @eisajabari @aligolbaz.art @alireza_chelipa @hamedsadrarhami
Producer’s Statement Molood Azimpour | Producer of The Rules of Evolution
The Rules of Evolution is a cinematic meditation on the act of painting—on the invisible tremors of thought, emotion, and intuition that precede the first brushstroke. This documentary does not merely observe painters; it listens to them. It enters their inner worlds, where silence becomes color, and hesitation becomes form. It is a film about the sacred, often solitary ritual of creation.
As a painter myself, I approached this project not only as a producer, but as someone who has lived the very tension between chaos and clarity that defines the artistic process. I know the weight of a blank canvas. I know the quiet ecstasy of watching an image emerge from within. My role, therefore, was not just to facilitate production, but to protect the emotional truth of each artist’s journey—to ensure that the camera does not intrude, but rather witnesses with reverence.
Working with visionary directors Vahid Emkani and Mehdi Bazyar, we set out to create a film that resists categorization. This is not a documentary in the conventional sense. It is a visual poem, a layered portrait of painters who, through their gestures and silences, reveal the deeper rules that govern their evolution—not only as artists, but as human beings.
The poster itself is a clue: a fragmented face, sensory organs adrift, a white pencil descending toward the forehead like a cosmic needle. It speaks of perception, of transformation, of the mind as a site of perpetual becoming. This is the essence of the film: to explore how painters evolve not just in technique, but in spirit—how each work is a threshold, a shedding of skin, a quiet revolution.
The Rules of Evolution is a collective offering. Each contributor—whether in front of the camera or behind it—brought their own language of devotion. Together, we shaped a film that honors the vulnerability, the discipline, and the mystery of painting.
I dedicate this work to all artists who continue to create despite uncertainty. To those who believe, as I do, that art is not a product, but a process of becoming.
